_____________________
/ Tim Christensen / standard tuning
/ Stranger / capo on 2nd fret
/ Secrets on Parade / key: F# minor
/____________________/ time: 6/8
The intro-figure exemplifies the picking pattern pretty well. So when chords are
notated just once in the bars, follow that pattern, unless the bar is specified.
+------------------------------------------------------------------------------+
Intro: F#m 4x||---------------------------||||o-------------------------o||||--------4-----4-----4------||||--4h5---5-----5-----5------||||o-7---7-7-7---7---7-7-7-7-o||||--0---0---0---0---0---0-0--||
1st Verse: F#m F#m7 Bm/D Bm/D 2x||--------------------------|---------|---------|----------||||o-------------------------|---------|---------|---------o||||--------4-----4-----4-----|-7-------|-9-------|-9--------||||--4h5---5-----5-----5-----|-5-------|-7-------|-7--------||||o-7---7-7-7---7---7-7-7-7-|-7-------|-x-------|-x-------o||||--0---0---0-------0---0-0-|-0-------|-8-------|-8--------||
G#ø/B F#m/C# C#5 F#m F#m6 F#m(#5) G#ø/B F#m/C# C#5|---------|-------------|-----------|---------|---------|-------------||---------|-------------|-----------|---------|---------|-------------||-5-------|-4-----4-----|-4----6----|-5-------|-5-------|-4-----4-----||-4-------|-5-----4-----|-5----5----|-5-------|-4-------|-5-----4-----||-0-------|-x-----x-----|-7----7----|-7-------|-0-------|-x-----x-----||---------|-7-----7-----|-0----0----|-0-------|---------|-7-----7-----|
F#m 2x||---------------------------||||o-------------------------o||||--4-----4-----------4------||||--5-----5-----4h5---5------||||o-7---7-7-7-7-7---7-7-7-7-o||||--0---0---0-0-----0---0-0--||
Interlude: (band enters) F#m|-0^----------------------|-------------------------||-0^----------------------|-------------------------||-4^----4-----------4-----|-------4-----------4-----||-5^----5-----4h5---5-----|-4h5---5-----4h5---5-----||-7^--7-7-7-7-7---7-7-7-7-|-7---7-7-7-7-7---7-7-7-7-||-0^--0---0-0-----0---0-0-|-0---0---0-0-----0---0-0-|
2nd Verse:
similar to 1st Verse, except for...
...this fill in the second ...and the last line: bar of Bm/D, both times... Bm/D F#m F#m E9|-------------------------| |-0-------|-0----0----||-------------------------| |-0-------|-0----3----||-7h9---9-----9---9-------| |-0-------|-0----5----||-7-----7-----7---7-------| |-2-------|-2----4----||-x-----x-----x---x-------| |-2-------|-2----5----||-8---8-8-8---8---8---8---| |-0-------|-0---------|
Bridge: A7sus4 A7 A7sus4 A7 Dmaj7 Dmaj7 2x||--3-----3-----|-3-----3-----|-0-------|-0--------||||o-3-----3-----|-3-----3-----|-0-------|-0-------o||||--5-----4-----|-5-----4-----|-0-------|-0--------||||--3-----3-----|-3-----3-----|-2-------|-2--------||||o-5-----5-----|-5-----5-----|-3-------|-3-------o||||--3-----3-----|-3-----3-----|-3-------|-3--------||
Bm7 C#7 F#m E B/D#|-0-------|-2-------|-0----2----|-0-------||-1-------|-0-------|-0----3----|-2-------||-0-------|-2-------|-0----2----|-2-------||-2-------|-1-------|-2----0----|-2-------||-0-------|-2-------|-2---------|-4-------||---------|---------|-0---------|---------|
Dsus2#11 D(add2) D(add2) C#7 C#7(#5)|-2------0-----|-0-------|-2-----2---2-2-----2---2-|-3^------||-3------3-----|-3-------|-0-----0---0-0-----0---0-|-0^------||-0------0-----|-0-------|-2-----2---2-2-----2---2-|-2^------||-x------x-----|-x-------|-1-----1---1-1-----1---1-|-1^------||-3------3-----|-3-------|-2-----2---2-2-----2---2-|-2^------||--------------|---------|-------------------------|---------|
3rd Verse:
similar to 1st Verse.
Guitar Solo/4th Verse:
similar to 2nd Verse, but add this wonderful fill in the second bar of Bm/D:
*Bm/D|-------------------------||-8-7---7-----------------||-7---9-7-----9---9-9-----||-7---7-7-----7---7-7-----||-x-----------x---x-x-----||-8-------8-8-8---8-8-8---|
********************************************************************************
Electric guitar part (no capo)
F#m F#m7---||-------------------------|-------------------------|---||---.---------------------|-------------------------| . = staccato---||-4b6--4b6-2~~------------|-------------4b6---------|-4-||-------------------------|-----------4-------------|---||-------------------------|-------------------------|---||-------------------------|-------------------------|
Bm/D *Bm/D|-------------------------|-------------------------||----.--------------------|----------------------.--||(6)b7-4b6~--r4p2-4~~-----|------------------2-4b6--||-------------------------|-------------------------||-------------------------|-------------------------||-------------------------|-------------------------|
F#m F#m7|-2-----------------------|-------------------------||---5---------------------|---------------10p9------||-----4b6~----------(6)r4-|----------9h11------9/11-||-------------------------|------/11----------------||-------------------------|-------------------------||-------------------------|-------------------------|
Bm/D Bm/D|-------------------------|-----------------------------||-10p9--------------------|-----------------------------||------9/11---------------|(11)\-------16pb18---r16p14--||-------------------------|---------------------------16||-------------------------|-----------------------------||-------------------------|-----------------------------|
G#ø/B F#m/C# C#5|-------------------------|------------------------------||-------------------------|-14h15------------------------||-14h16~~-----------14-16-|-------16b18-14h16~~----------||-------------------------|---------------------------16-||-------------------------|------------------------------||-------------------------|------------------------------|
F#m F#m6 F#m(#5)|-------------------------------|---------------------------||-17b19----r17p14---------------|----------------------5----||----------------16b18----r16p14|-14h16~~---\------4h6---6\4||-------------------------------|---------------------------||-------------------------------|---------------------------||-------------------------------|---------------------------|
G#ø/B F#m/C# C#5|-------------------------|-------------------------||-----------------------5-|-------------------------||-2h4~~----------2-4-4/6--|-6\4p2\1---------1h2p1---||-------------------------|-----------------------4-||-------------------------|-------------------------||-------------------------|-------------------------|
F#m F#m E9 A7sus4|-------------------------|-------------------------||--------||-------------------------|-------------------------||--------||-------------------------|-------------------------||--------||-------------------------|-------------------------||--------||-------9---\-------11---\|-------12----11~~--------||-12~~---||-2---/-------2---/-------|-2---/-------------------||--------|
********************************************************************************
Bridge:
similar to previous
Outro: G#ø(add4)/B C#5(addb9)|-------------------------|-------------------------||-------------0-----------|-------------0-----------||-------5---------5-------|-------5---------5-------||-----4-----4---------4---|-----4-----4---------4---||-0-----------------------|-------------------------||-------------------------|-7-----------------------|
F#m F#m6 F#m(#5)|-----------0-----------0-|-------------------------||-------------------------|-------------------------||---------4---6-------6---|-5-----------------------||-------5-----------5-----|-------------------------||-----7-----------7-------|-------------------------||-0-----------------------|-------------------------|
"So I G#ø(add4)/B C#(addb9) F#m|-------------------------|-------------------------|-0^---||-------------0-----------|-------------0-------4---|-0^---||-------5-----------------|-------5-----------------|-0^---||-----4-----4-------------|-----4-----4-------------|-2^---||-0-----------------------|-------------------------|-2^---||-------------------------|-7-----------------------|-0^---| call out your name."
+------------------------------------------------------------------------------+
Jon Sebastian Frederiksen - 28th /January /12
Just mail me at Maitinin@gmail.com with questions, comments and corrections!
