Incantation - Golgotha (from Onward to Golgotha, 1992)
C Standard tuning (C F A# D# G C)
Intro:
|------------------------------||------------------------------||------------444----------555--||-6--------------666--333------||-4--7--6--3-------------------| x 7|----5--4--1-------------------|
|----------------------------------------------------||----------------------------------------------------||----------------------------------------------------||-6--------4--------6--------------------------------||-4--7--6--2--5--4--4--7--6----3-------4------[5]----||----5--4-----3--2-----5--4------2--1----3-2---------|
|-----------------------------------------------------------------------------||-----------------------------------------------------------------------------||-----------------------------------------------------------------------------||--------------------------7777---------------------------------------7777----||-------------------------------6666----------------------------6666----------||-000000-666666----5-3-5-3------------000000-222222--3-2-3-2------------------|
|-------------------------------------||-------------------------------------||-------------------------------------||-----------5555------2222-1111-------||-4444-3333------2222-----------1111--||-------------------------------------|
|--------------------------------------||--------------------------------------||--------------------------------------||-------------------4-3----------------||------2-3---2tr3---2-1--3-2-----------||1tr2--0-1---------------1-0-----------|
|---------------------------------------------------||---------------------------------------------------||---------------------------------------------------||---[2]----5-6-5-----------[2]----5--6--5-----------||-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----||-0-----1---------2-3-2--0-----1-----------2-3-2----|
|------------------------------------------------------------------------------------||------------------------------------------------------------------------------------||------------------------------------------------------------------------------------||---------666---------------------------------------666------------------------------||-----555-------222-444-333------444------------555-------222-444-333------444-------|-During solo|-444------------------------333-----333----444------------------------333-----333---|
|---------------------------------------------------||---------------------------------------------------||---------------------------------------------------||---------7777--------------------------------------| - During second solo|-----6666-------2222-4444-3333---------------------||-5555----------------------------2222-4444-3333----|
|--------------------------------------||--------------------------------------||--------------------------------------||-------------------4-3----------------||------2-3---2tr3---2-1--3-2-----------||1tr2--0-1---------------1-0-----------|
|---------------------------------------------------||---------------------------------------------------||---------------------------------------------------||---[2]----5-6-5-----------[2]----5--6--5-----------||-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----||-0-----1---------2-3-2--0-----1-----------2-3-2----|
After these parts repeat the first, second and third parts accordingly.
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
