Ralph McTell
Rizraklaru (Drop D tuning, Capo 2)
Fig.1
E|-10-----------9-----------7--9--10--9-----------|B|-----7-----7-----7-----7----------------10-7----|G|--------7-----------7-------------------------7-|D|------------------------------------------------|A|--------------0-----------------------0---------|D|-0------------------------0---------------------|
E|-10-----------9-----------7--9--10--9-----------|B|-----7-----7-----7-----7----------------10-7----|G|--------7-----------7-------------------------0-|D|------------------------------------------------|A|--------------0-----------------------0---------|D|-0------------------------0---------------------|
Fig.2
E|------5---------3---------------5---------3----|B|-s/5-----5----------3------s/5-----5---------3-|G|-s/6--------6-----------4--s/6--------6--------|D|-s/7------------5----------s/7------------5----|A|---0-------------------------0-----------------|D|-----------------------------------------------|
E|---------------------------------|B|-0--2--3-----0-------------------|G|----------2-----0--2-------------|D|-------------0--------4--5-----4-|A|-------0-----------0--------0----|D|-------------------------------0-|
Fig.3
E|-------------------------------------0--2--3--5-|B|----------------------3-----0--2--3-------------|G|-------------------0-----0----------------------|D|----------0--2--4-----------------------0-------|A|-0--2--4----------------------------------------|D|----------------------------------0-----------0-|
E|-------------------------------------0--2--3--5-|B|----------------------3-----0--2--3-------------|G|-------------------0-----0----------------------|D|----------0--2--4-----------------------0-------|A|-0--2--4----------------------------------------|D|----------------------------------0-----------0-|
E|----0--2--3--------0----------|B|-2-----------0--3-----2-----3-|G|-------------------------0----|D|-------------------0----------|A|----------2-------------------|D|----------------------------0-|
N.B. From this point onwards guitar 2 comes in to complement
the melody. Listen to the recording for the timing of guitar
2 over guitar 1 (listen with headphones to better hear each
part, the two guitars are panned to extreme left and right).
Fig.4 (Guitar 2 over Fig.1)
E|-2-----------0------------------------------------|B|-------------------------3--------2---------------|G|----2-----2-----2-----2-----2-----------2---------|D|-------0-----------0-----------0------------4-----|A|------------------------------------------------0-|D|-0-----------0-----------0-----------0------------|
E|-2-----------0------------------------------------|B|-------------------------3--------2---------------|G|----2-----2-----2-----2-----2-----------2---------|D|-------0-----------0-----------0------------4-----|A|------------------------------------------------0-|D|-0-----------0-----------0-----------0------------|
Fig.5 (Guitar 2 over Fig.2)
E|----0----------------------------------------|B|-5-------------------------------------------|G|-6-----6----------4------------2-----------0-|D|-7---------7------------0------------2-------|A|-0-------------------------------------------|D|---------------------------------------------|
E|-----------------0--2--3---------0----|B|--------------3---------------2-----3-|G|-----------0---------------0----------|D|-0--2---------0---------------------0-|A|---------------------------0----------|D|-------0------------0---------------0-|
Fig.6 (Guitar 2 over Fig.3)
E|----------0--2--3--5-----2--3--5--3--2--0----|B|-2--3--5--------------3--------------------3-|G|---------------------------------------------|D|-------------0--------0----------------------|A|---------------------------------------------|D|-------0-----------0-----------------------0-|
E|----------0--2--3--5---------------------------|B|-2--3--5---------------------------------------|G|-----------------------------------------------|D|-------------0------------------0--------------|A|-----------------------0--2--4-----0--2------0-|D|-------0-----------0----------------------4----|
E|------------------|B|------------------|G|------------------|D|----0-------------|A|----------2-------|D|----------------0-|
Fig.7 After the ascending piece (Fig.3) has been played
through twice it changes to this:
E|-------------------------------------------------|B|-------------------------------------------------|G|-------------------------------------------------|D|----------0------------------------------------0-|A|-0--2--4-----0--2-----0--------------0--2--4-----|D|-------------------4-----0--2--4--5--------------|
E|----------------------------0--2--3--------0---------|B|----0--2--3-----0--------2-----------0--3-----2----3-|G|-2-----------2-----0--2--------------------------0---|D|----------------0--------------------------0---------|A|----------------------0-----------0------------------|D|----------0----------------------------------------0-|
Fig.8 (Guitar 2 over Fig.7)
E|-------------0--2--3--5-----2--3--5--0------------|B|-0--2--3--5--------------3--------------0--2--3---|G|--------------------------------------------------|D|----------------0-----------------------------0--0|A|-------------------------------0------------------|D|----------0-----------0---------------------------|
E|---------------------------------------|B|---------------------------------------|G|----------------------0--2--0----------|D|----------0-----2--4-----------4--2--0-|A|-0--2--4-------------------------------|D|---------------------------------------|
Tabbed by Paul Bamford
bombardier1979@lycos.co.uk